METROPOLITAN MUSEUM OF ART, New York
• Henry, Seventh Avenue 1972, Crayon on Paper, 17 X 14 in.
• Mt. Fuji and Flowers 1972, Acrylic on Canvas, 60 X 48 In.
• Henry Seated With Cigar At Steve’s C. 1977-79, Pen on Paper, 17 1/8 X 14 in.
• Henry As Poster C. 1977-79, Crayon on Paper, 13 1/2 X 16 5/8 in.
• Henry and Randy C. 1977-79, Pen, Ink and Crayon on Paper, 13 1/2 X 16 5/8 in.
• Steve’s Den, Looking West C. 1977-79, Pen and Ink on Paper, 10 1/2 X 13 1/2 in.
• Portrait Of Steve Mazoh 1978, Pen on Paper, 16 1/2 X 13 5/8 in.
• Portrait Of Steve Mazoh, Henry In Green 1980, Crayon on Paper, 22 3/8 X 19 5/8 in.
• David Graves Looking At Bayswater, London, Nov. 1982, 1982, Photographic Collage,
48 1/2 X 31 in.
• Gregory Watching The Snow Fall, Kyoto, Feb. 21, 1983 1983, Photographic Collage,
43 1/2 X 46 1/2 in.
• Large Interior, Los Angeles, 1988, 1988, Oil, Paper and Ink on Canvas, 72 X 120 in.
• A Selection Of Graphics
MINNEAPOLIS INSTITUTE OF ARTS, Minneapolis
• A Selection Of Graphics
MUSEO TAMAYO, Mexico City
• Puppet Theatre For The Museo Tamayo, Mexico City 1984, Acrylic on Canvas,
Oil and Plywood, 96 X 252 X 102 in.
MUSEUM BOIJMANS-VANBEUNINGEN, Rotterdam, The Netherlands
• Monochrome Landscape With Lettering 1965, Acrylic on Canvas, 48 X 48 in.
• Two Deck Chairs, Calvi 1972, Acrylic on Canvas, 60 X 48 in.
• A Selection Of Graphics
MUSEUM CALOUSTE GULBENKIAN, Lisbon, Portugal
• Pigs Escaping From A Hot Dog Machine, 1961, Ink on Paper
• Renaissance Head 1963, Oil on Canvas, 48 X 48 in.
• Figure In Helmet and Cloak 1963
MUSEUM OF ART, RHODE ISLAND SCHOOL OF DESIGN, PROVIDENCE, Rhode Island
• PETER RESTING 1969, PEN AND INK ON PAPER, 14 X 17 IN.
• PLASTIC TREE PLUS CITY HALL CACRYLIC PAINT ON CANVAS, 62 3/4 X 48 3/4 IN.
• A SELECTION OF GRAPHICS
MUSEUM OF CONTEMPORARY ART, Los Angeles
• Jacques, Paris 1974, Colored Pencil on Paper, 19 3/4 X 25 1/2 in.
• Henry, Paris 1975, Crayon and Pencil on Paper, 30 1/2 X 24 1/2 in.
• Dwight Lilgh 1979 Pen and Ink on Paper, 17 X 14 in.
• Telephone Pole, Los Angeles, Sept. 1982 1982, Photographic Collage, 66 X 40 in.
MUSEUM OF CONTEMPORARY ART, Tokyo
• A Lawn Sprinkler 1967, Acrylic on Canvas, 48 X 48 in.
• A Selection Of Graphics
MUSEUM OF FINE ARTS, Boston
• Celia In A Black Slip Reclining. Paris Dec 1973, Crayon on Paper, 19 1/2 X 25 1/2 in.
• Luncheon At The British Embassy, Tokyo, Feb. 16, 1983 1983, Photographic Collage,
46 X 83 in.
• Garrowby Hill 1998, Oil on Canvas, 61 1/2 X 77 1/2 in.
• A Selection Of Graphics
MUSEUM OF MODERN ART, New York
• Cecil Hotel 1963, Pencil, Colored Pencil and Crayon on Paper
• Beverly Hills Interior 1966, Crayon on Paper, 14 X 17 in.
• Patrick Procktor In New York 1966, Pen and Ink on Paper, 17 X 14 in.
• Czar 1966, Pen and Ink on Paper, 13 3/8 X 12 in.
• Portrait Of Peter, 1966, Pen and Ink on Paper, 18 7/8 X 23 3/4 in.
• Polish Army 1966, Crayon on Paper, 14 1/2 X 19 1/2 in.
• Portrait 1966, Pencil on Paper, 12 1/2 X 10 in.
• Ready Cleaners 1966, Pencil and Colored Pencil on Paper, 10 7/8 X 13 in.
• Kerby (After Hogarth) Useful Knowledge 1975, Oil on Canvas, 72 X 60 in.
• Zanzibar With Postcards Sea Tiresias and Husband From Parade Triple Bill 1980,
Crayon on Paper, 18 3/4 X 24 in.
• Stephen Spender, Mas St. Jerome I, 1985 1985, Photographic Collage,
21 1/2 X 17 1/2 in.
• A Selection Of Graphics
MUSEUM OF MODERN ART, Vienna, Austria
• Self-Portrait With Blue Guitar 1977, Oil on Canvas, 60 X 72 in.
MUSEUM WÜRTH, Kunzelsau, Germany
• View from Terrace II, 2003, Watercolor on paper, (8 sheets) 36¼X 96"
• The Road to Thwing, Late Spring, 2006 oil on 6 canvases (36 x 48" each)
72 x 144" overall
• Felled Trees on Woldgate, 2008 oil on 2 canvases (60 x 48" each)60 x 96" overall
NATIONAL MUSEUM & GALLERY, Cardiff Wales
• The Actor 1964, Acrylic on Canvas, 65 1/2 X 65 1/2 in.
NATIONAL GALLERY OF AUSTRALIA, Canberra, Australia
• Storm Music 1952, Gouache on Paper, 12 X 24 1/2 in.
• Celia In A Black Dress With Red Stockings 1973, Crayon on Paper, 25 1/2 X 19 1/2 in.
• A Diver (Paper Pool 17) 1978, Colored and Pressed Paper Pulp (2 Panels), 72 X 171 in.
• Ken Tyler 1978, Sepia Ink on Paper, 17 X 14 in.
• A Bigger Grand Canyon 1998, Oil on 60 Canvases, 81 1/2 X 293 in. Overall
• Dead Tree Detail For A Bigger Grand Canyon 1998, Charcoal & Ink on Paper,
30 1/4 X 22 1/2 in.
• Island Detail For A Bigger Grand Canyon 1998, Charcoal on Paper, 22 1/2 X 30 1/4 in.
• Live Tree Detail For A Bigger Grand Canyon 1998, Charcoal on Paper, 22 1/2 X 30 1/4 in.
NATIONAL GALLERY OF VICTORIA, Melbourne, Australia
• Figure For The Second Marriage 1962, Pen and Ink on Paper, 10 X 12 1/2 in.
• The Second Marriage 1963, Oil, Gouache and Collage on Canvas, 77 3/4 X 90 in.
• Peter Doing A Watercolor In Italy 1967, Pen and Ink on Paper, 13 7/8 X 17 in.
• A Selection Of Graphics
NATIONAL PORTRAIT GALLERY, London
• Peter Maxwell Davies & Harrison Birtwhistle 1970, Ink on Paper, 14 X 17 in.
• Self Portraits 30th Sept. 1983, Charcoal on Paper, 30 X 22 1/2 in.
• Drue Heinz, Como. April 2004 2004, Ink & Watercolor on Paper, 16 1/8 X 12 3/16 in.
• Drue With Blue Hat 2002, Ink on Paper, 16 1/4 X 12 1/4 in.
• George and Mary Christie 2002, Watercolor on Paper (4 Sheets), 48 X 36 in.
• Lucian Freud 2002, Ink on Paper, 24 X 18 1/8 in.
NELSON-ATKINS MUSEUM OF ART, Kansas City, Missouri
• Invented Man Revealing Still Life 1975, Oil on Canvas, 36 X 28 1/2 in.
NEW YORK PUBLIC LIBRARY
• A Selection Of Graphics
PHILADELPHIA MUSEUM OF ART
• A Selection Of Graphics
THE PHILLIPS COLLECTION, Washington, DC
• Three Men 1966, Ink on Paper, 15 3/8 X 19 5/8 in.
RINGLING MUSEUM OF ART, Sarasota, Florida
• Gregory Sleeping 1978, Ink oon Paper, 14 X 17 in.
• Christopher Isherwood Talking To Bob Holman, Santa Moncia, March 14, 1983
1983, Photographic Collage, 43 1/2 X 64 1/2 in.
• A Selection Of Graphics
ROYAL ACADEMY OF ARTS, London
• Double Study For A Closer Grand Canyon 1998, Oil on Two Canvases,
71 1/2 X 47 3/4 in. Overall
SAN FRANCISCO MUSEUM OF MODERN ART, San Francisco
• A Large Diver (Paper Pool 27) 1978, Colored and Pressed Paper Pulp, 72 X 171 in.
• Shirley Goldfard and Gregory Masurovsky 1974, Acrylic on Canvas, 45 X 84 in.
SANTA BARBARA MUSEUM OF ART, Santa Barbara, California
• The Brooklyn Bridge, Nov. 28, 1982 1982, Photographic Collage, 109 X 58 in.
• Chair, Jardin De Luxembourg, Paris 10th August 1985 1985, Photographic Collage,
30 1/4 X 25 3/4 in.
• A Selection Of Graphics
SIFTUNG LUDWIG WIEN, Vienna, Austria
• Self-Portrait With Blue Guitar 1977, Oil on Canvas, 60 X 72 in
SINGAPORE ART MUSEUM
• A Selection Of Graphics
SMITHSONIAN AMERICAN ART MUSEUM, Washington, DC
• Double Entrance 1993-95, Oil on Two Canvases, 72 X 168 in. Overall
• Snail’s Space 1995, Oil on Two Canvases, 84 X 240 in. Overall and . . . With Vari-Lites,
‘Painting As Performance’ 1995-96, Oil on Two Canvases, Acrylic on Canvas, Covered
Masonite, Wood Dowels
• A Selection Of Graphics
STAEDEL MUSEUM, Frankfurt
• Jump, 1060 Oil on Canvas, 30 X 20 in.
STEDELIJK MUSEUM VOOR ACTUELE KUNST, Ghent, Belgium
• A Man Stood In Front Of His House With Raindescending 1962, Oil on Canvas,
90 X 60 in.
STIFTUNG MUSEUM KUNSTPALAST, Dusseldorf
• Flight Into Italy, Swiss Landscape, 1962 Oil on Canvas, 72 X 72 in.
TATE GALLERY, London
• Doll Boy 1960
• The Third Love Painting 1960, Oil on Board, 46 3/4 X 46 3/4 in.
• Tea Painting In An Illusionistic Style 1961, Oil on Canvas, 78 X 30 in.
• The First Marriage (A Marriage Of Style) 1962, Oil on Canvas, 72 X 60 in.
• Bob, London 1964, Crayon on Paper, 19 5/8 X 15 3/4 in.
• Man In Shower In Beverly Hills 1964, Acrylic on Canvas, 65 1/2 X 65 1/2 in.
• A Bigger Splash 1967, Acrylic on Canvas, 96 X 96 in.
• Study For Mr. & Mrs. Clark & Percy II 1970, Pencil on Paper, 17 X 14 in.
• Study For Mr. & Mrs. Clark & Percy III 1970, Pencil on Paper, 17 X 14 in.
• Study For Mr. & Mrs. Clark & Percy IV 1970, Pencil on Paper, 10 3/4 X 16 in.
• Mr. and Mrs. Clark and Percy 1970-71, Acrylic on Canvas, 84 X 120 in.
• Portrait Of The Artist’s Mother, Mrs. Laura Hockney, Bradford 1972
• My Parents 1977, Oil on Canvas, 72 X 72 in.
• George Lawson and Wayne Sleep, 1972-75, Oil on Canvas, 72 X 72 in.
• Bigger Trees Near Warter or/ou Peinture sur le Motif Pour le Nouvel Age
Post-Photographique, 2007, Oil on 50 Canvases, (36 x 48 each) 180 X 480 in overall
• A Selection Of Graphics
TOCHIGI PREFECTURAL MUSEUM OF FINE ARTS, Utsunomiya, Japan
• Eccleshill, Near Bradfod 1957, Oil on Board, 20 X 25 in.
• The Island, 1971, Acrylic on Canvas, 6o X 72 in.
UNIVERSITY ART MUSEUM, CALIFORNIA STATE UNIVERSITY, Long Beach, California
• Watercolor For Parade With Two D’s -An Evening Of French Musical Theatre
1980-82, Watercolor, acrylic and Ink, 22 1/4 X 15 in.
• A Selection Of Graphics
VICTORIA AND ALBERT MUSEUM, London
• First Dignitary 1961, Charcoal and Watercolor on Paper, 25 3/4 X 17 7/8 in.
• Second Dignitary 1961, Charcoal and Watercolor on Paper, 25 3/4 X 17 7/8 in.
• Third Dignitary 1961, Charcoal and Watercolor on Paper, 25 3/4 X 17 7/8 in.
• Man Running Towards A Bit Of Blue 1963, Pencil, Crayon on Paper, 24 3/4 X 20 1/2 in.
• Man Peeping, 1963, Pencil and Colored Chalk, 20 X 12 1/2 in.
• Portrait Of A Man, Ink, Pencil and Crayon on Paper, 25 X 23 1/2 in.
• Untitled Study For A Painting 1967, Watercolor on Paper, 18 X 24 in.
• Preliminary Studies For Illustrations To The Portfolio Six Fairy Tales From
The Brothers Grimm, Pen and Ink on Paper
• Peter Schlesinger
• The Scrabble Game, Jan. 1, 1983 1983, Photographic Collage, 39 X 58 in.
• A Selection Of Graphics
VIRGINIA MUSEUM OF FINE ARTS, Richmond, Virginia
• Blue Interior and Two Still Lifes, 1965 1965, Acrylic on Canvas, 59 3/4 X 59 3/4 in.
• Parade With Unfinished Backdrop 1980, Acrylic on Canvas, 60 X 72 in.
• A Selection Of Graphics
WALKER ART CENTER, Minneapolis, Minnesota
• Green Pool With Diving Board and Shadow (Paper Pool 3) 1978, Colored and
Pressed Paper Pulp, 50 1/2 X 31 7/8 in.
• Gregory In The Pool (Paper Pool 4) 1978, Colored and Pressed Paper Pulp,
33 3/4 X 50 in.
• Piscine A Minuit (Paper Pool 19) 1978, Colored and Pressed Paper Pulp, 72 X 85 1/2 in.
• Steps With Shadow (Paper Pool 2) 1978, Colored and Pressed Paper Pulp,
50 1/2 X 33 1/2 in.
• Sunflower (Paper Pool 1) 1978, Colored and Pressed Paper Pulp, 42 5/8 X 32 1/8 in.
• Sunflower #1f 1978, Colored and Pressed Paper Pulp, 42 X 32 in.
• Hollywood Hills House 1981-82, Oil, Charcoal & Collage on Canvas, 60 X 120 in.
• Drawing For Magic Flute 1983, Tempera on Foamcore, 10 X 22 1/4 X 11 1/2 in.
• Drawing For Magic Flute – I 1983, Tempera on Foamcore, 10 X 22 in.
• Drawing For Magic Flute – II 1983, Tempera on Foamcore, 5 1/2 X 10 3/4 in.
• Model For Ravel’s Garden 1983, Gouache on Foamcore, 25 X 73 34 X 48 1/2 in.
• Model For The Rake’s Progress 1983, Felt Marker, Tempera on Foamcore, 5 X 24 X 31 in.
• Model For Oedipus Rex 1983, Gouache, Tempera on Foamcore, 6 X 14 X 7 1/2 in.
• Model For L’enfant Et Les Sortileges (Ravel’s Garden) 1983, Styrafoam, Plaster,
Gouache, Tempera on Foamcore, 6 3/4 X 26 X 14 in.
• Model For Les Mamelles De Tiresias 1983, Gouache, Tempera on Foamcore,
6 1/4 X 13 1/4 X 5 3/8 in.
• Plans For Gallery Le Rossignol N.D., Acrylic, Graphite and Marker on Foamcore
• Plans For Gallery Le Sacre Du Printemps N.D., Paint on Three Sheets Of Foamcore
• A Selection Of Graphics
WALKER ART GALLERY, NATIONAL MUSEUMS & GALLERIES ON MERSEYSIDE, Liverpool, England
• Peter Getting Out Of Nick’s Pool 1966, Acrylic on Canvas, 84 X 84 in.
• A Selection Of Graphics
WHITWORTH ART GALLERY, UNIVERSITY OF MANCHESTER, Manchester, England
• Peter Schlesinger 1967, Penci and Chalk on Paper, (428 X 356 Mm)
• Chairs, Mamounia Hotel, Marrakesh 1971, Crayon on Paper, 14 X 17 in.
• A Selection Of Graphics
YORK ART GALLERY, York, England
• Egyptian Head Disappearing Into Descending Clouds 1961, Oil on Canvas With Title
Printed on Wooden Frame, 20 1/2 X 16 in.
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